20395 Article(s) by: Agathe Dorra

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Agathe Dorra is a PhD researcher in political aesthetics at King’s College London

Orson Welles, South of the Border

After his post–Citizen Kane slump, Orson Welles teamed up with Universal for a big Hollywood comeback about corrupt police on the US-Mexico border. The executives balked at his vision — but today Touch of Evil is regarded as Welles’s final masterpiece.

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    Partisans on Ponies

    One German’s idiosyncratic obsession with the American frontier led to an unlikely West German–Yugoslav cinematic partnership that fed the European appetite for cowboys and Indians.

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