Death to All Superheroes
Batman is a fascist. Superman is dead. I'm bored.
Search Result(s) for: “eileen jones”
Nobody Wants Some
Richard Linklater’s Everybody Wants Some!! assumes we'd all like to return to the days when the boys ruled campus.
Fake Controversy, Terrible Comedy
The new Ghostbusters isn’t a feminist triumph. It’s just a bad movie.
The Lost Matriarchs of Hollywood
American cinema was once full of formidable, charismatic older women. What happened to them?
Carrie Fisher (1956–2016)
What we liked about Carrie Fisher was that she seemed inclined to tell the truth, and almost nobody does that, certainly not Hollywood stars.
Against Meryl Streep
Meryl Streep’s speechifying at the Golden Globes was the worst thing to happen since Trump’s election.
The Uncanny City
A new translation of the 1970s horror novel The Twenty Days in Turin is an eerily resonant read today.
A Rough Night at the Opera
John Adams and Peter Sellars’s Girls of the Golden West is bland, poorly staged liberalism.
The Dog Stars Is a Western in Postapocalyptic Drag
Ridley Scott’s The Dog Stars is a postapocalyptic thriller without thrills, resting on the shoulders of a mopey Jacob Elordi, who’s far from up to the task. What the film does have is a frontier fantasy it can’t stop indulging.
Southern Gothic Films Take On the Horrors of the Past
The Criterion Channel’s Southern Gothic collection gathers a century of films about a region that set out to make its slaveholding past look civilized. Instead, it produced a body of work steeped in rot, delusion, and violent religiosity.
The Not-So-Beguiled
Sofia Coppola’s new film gets rid of everything that made the original interesting.
His Finest Hour
Christopher Nolan’s Dunkirk is short, action-packed, and not as bad as it could have been!
Camp Miasma Is More Theory-Head Satire Than Horror
The new slasher film Teenage Sex and Death at Camp Miasma promises “a frenzy of psychosexual mania.” What director Jane Schoenbrun delivers is tamer but considerably funnier.
The Man in the Neighborhood
Fred Rogers was a wonderful human being who tried to use his influence for good. I just couldn't stand his show.
“Crazy” Anticapitalism
Boots Riley's Sorry to Bother You captures the crude madness that we live in every day under capitalism.
BlacKKKlansman Is Both Awkward and Enthralling
BlacKKKlansman is a messy, unfocused film. But it's also one of Spike Lee's best.
The Monster and the Final Girl
The new Halloween is a serviceable remake of a truly great horror film.
The British Royals Have Always Been Scum
Despite generations of imperial murder, torture, rape, and plunder, the British ruling class still gets the brown-nose treatment in historical depictions. Not so in The Favourite, where the royals are shown as the disgusting creatures they were and still are.
Beale Street’s Tragedy Made Gorgeous
In If Beale Street Could Talk, the ugliness of oppression and persecution stand in tense contrast with Barry Jenkins' lush, color-drenched cinematography.
Remind Me Never to Watch the Oscars Again
The Academy Awards were even more of a shitshow than usual this year. This is Jacobin’s last Oscars article, because we will find better things to do with our lives than watch that garbage.