Opal Lee is a writer.
A group of independent candidates purporting to break with Australia’s broken political system is contesting several conservative seats in next week’s federal election. Their claims to independence are mooted by backing from the PAC Climate 200.
Heir to the Busch family fortune, Trudy Busch Valentine was once crowned queen of St Louis’s Veiled Prophet Ball, an annual event at which wealthy good old boys made toasts to racism and strikebreaking. Now she wants to join another elite club: the Senate.
To sustain capitalism, otherwise competitive businesses have to do something unnatural: cooperate with each other. The state plays a crucial role in fostering this class discipline. We, on the other hand, have to build our own power.
For decades, Georgian neoliberals have justified obedience to Washington, relentless pro-market reforms, and soaring inequality in the name of Westernization. But Russia’s war has only revived claims that Georgia needs to bind itself tighter to the West.
An unknown number of British women have been deceived into relationships with undercover police officers. We spoke to one of them about how she found out, what justice would look like, and why the program was so horrifyingly abusive.
Bolivian foreign minister Rogelio Mayta says that anywhere people are fighting against imperialism and neoliberalism can’t be considered part of the “periphery.” They’re at the center of the world.
Starbucks and Amazon are running parallel union-busting campaigns across the country, willfully violating labor law in a desperate attempt to defeat nascent worker organizing in their companies.
Cryptocurrencies like Bitcoin took huge nosedives this week. Unfortunately, we aren’t living through the end of crypto — but hopefully the talk of it being the money of the future that will make us all rich has been shown to be lies.
True crime has come a long way from the cheap, lurid days of America’s Most Wanted. The new HBO Max series The Staircase, starring Colin Firth and Toni Collette, has the posh cast and opulent production values that showcase the genre’s evolution.
Today is Jen Psaki’s last day as Joe Biden’s press secretary before becoming an MSNBC pundit. She’s the latest in a long line of Democratic presidential flacks who have become corporate lackeys and mouthpieces.
In 2022, Netflix will release over 120 seasons of television. Churning out half-baked shows for niche audiences seems to be yielding diminishing financial returns — but the model’s corrosive effect on film and television may be impossible to reverse.
The “Beergate” scandal is, in the grand scheme of things, small potatoes. The real scandal should be that Britain is awash in crushing poverty, and Labour under Keir Starmer is doing little to fight it.
In 2010, the citizens of Tyneside, England, composed and performed an epic musical number about their metro system. Try to watch it without weeping.
The Biden administration hasn’t stopped trying to privatize Medicare. But a pushback is gaining steam.
Despite majority support for abortion rights, we failed to build a majority coalition to defend reproductive freedom. We should honestly assess our failures — and then build a movement that ties together labor, feminists, and health care organizing.
Sri Lanka’s economic crisis has produced an explosion of violence on the island. That violence won’t end until the country ends its war on Tamils and Muslims and drastically scales back its military budget.
Spreading knowledge and awareness of the climate crisis isn’t enough. There’s no hope for the planet without climate policies that address the material interests of workers.
In a speech to the Progressive International, former Labour Party leader Jeremy Corbyn says now is not a time for retreat. We must build a powerful alternative to capitalist destruction.
Protesters are peacefully demonstrating outside the homes of Supreme Court justices who are about to overturn Roe v. Wade — and conservatives are demanding the government arrest them.
The master of psychosexual cinema, Paul Verhoeven, has produced another lurid romp, this time about lesbian nuns in the 17th century. Underlying Benedetta’s silliness, though, is a thoughtful reflection on faith and love for our deeply secular times.