Regrounding Hollywood
Gravity points us back to the sensation cinema practices of the silent era, and it’s dimly possible that the American film industry might save itself by learning, or re-learning, from them.
Eileen Jones is a film critic at Jacobin, host of the Filmsuck podcast, and author of Filmsuck, USA.
Gravity points us back to the sensation cinema practices of the silent era, and it’s dimly possible that the American film industry might save itself by learning, or re-learning, from them.
Unlike most other American directors, Joel and Ethan Coen have always been interested in depicting failure. Their new film, Inside Llewyn Davis, takes such an unblinking look at humiliating defeat.
Thor: The Dark World is a perfect example of how market competition does not actually provide us with the highest quality product.
At least Verbinski tries to bring intelligent, politically-savvy revisionist westerns back into style.
The Oscar ceremony has finally acquired an ideal twenty-first century host in the smirking, tap-dancing, bland-faced Seth MacFarlane.