Colleen Hoover’s Awful Hollywood Reign Has Only Just Begun
Reminders of Him is exactly the movie novelist Colleen Hoover set out to make — which is the problem.
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Fictional Teen Dystopias Reflect Real Capitalist Nightmares
Dystopian teen films will remain popular as long as they keep reflecting truths about young people’s prospects under capitalism.
The Peaky Blinders Film Ratchets Up the Gloom and Black Humor
Cillian Murphy’s final turn as Tommy Shelby in Netflix’s Peaky Blinders: The Immortal Man is a brooding, gorgeous farewell to one of TV’s great antiheroes.
Project Hail Mary Is the Feel-Good Dystopian Sci-fi We Need
Ryan Gosling’s new space film, Project Hail Mary, blends doomsday stakes with a surprisingly tender cross‑species friendship, offering a rare blockbuster that admits the planet is worth saving — and that solidarity might still matter.
Outcome Is Jonah Hill’s Inept Hollywood Satire
Jonah Hill’s new Apple TV Hollywood satire, Outcome, wants to skewer celebrity culture. But even with the likable Keanu Reeves, its muddled script and self‑pitying subtext reveal more about the industry’s narcissism than the film ever intended.
Helen Keller’s Socialism Has Been Whitewashed
You wouldn't know it from the whitewashed image of her as an angelic, unthreatening icon, but Helen Keller — yes, that Helen Keller — was a socialist.
A Quiet Place Part II Can’t Match the Thrills of the Original — But It’s Close Enough
The sequel to John Krasinski and Emily Blunt’s horror-thriller A Quiet Place can’t deliver the same surprises as the original. But it still works.
Halston Suffers From Ryan Murphy Syndrome
Ryan Murphy’s new Netflix limited series on the 1970s fashion icon Halston is yet another showcase not only for Murphy's trademark bright and glossy style but also his contempt for the unglamorous rabble.
Did They Just Turn Cruella de Vil Into a Girl Boss?
Disney has rebooted their legendary dalmatian-skinning villain, Cruella de Vil — and turned her into a scrappy, likable hero. The result is the complete mangling of one of the greatest Disney villains of all time.
In the Heights Is the Most Boring Movie of the Year
The controversy over casting in Lin-Manuel Miranda’s musical In the Heights obscures just how dull the film really is.
After Yang Is Another Boring Example of “Contemplative” Sci-Fi
The people in the somber new sci-fi film After Yang are god-awful. If this movie represents our near future, that Earth-destroying asteroid can’t obliterate us fast enough.
Luca Is Another Beautiful, Overstuffed Pixar Sob Sandwich
Pixar’s latest film, Luca, is so chock-full of twists and turns, it reveals just how much that once-little animation studio has helped shape our current “bingeworthy” narrative standard.
Summer of Soul Is an Enthralling and Emotional Concert Film 50 Years in the Making
With historic performances by everyone from Stevie Wonder and Gladys Knight to Nina Simone and Sly and the Family Stone, Questlove’s documentary about the 1969 Harlem Cultural Festival is a moving portrait of black music and a radical political and cultural moment.
Blue-Collar Jocks
In the 1970s, sports movies were funny, bitter comedies about working-class jocks taking aim at both the front office and the rich.
Black Widow Could’ve Been Worse
Black Widow is a dumb movie that recycles the same Russophobic Cold War narrative Hollywood has been using for years. But it’s just dopey enough and supplies just enough laughs that I couldn’t be mad at it.
Anthony Bourdain Deserved a Realer Documentary Than Roadrunner
From staging its emotional finale to deploying AI-generated simulations of Anthony Bourdain’s voice, Roadrunner’s director has undercut the reliability of the entire project.
Old Had Immense Potential — But M. Night Shyamalan Squandered It
Insufficiently developed characters, awkwardly acted scenes, embarrassing dialogue: M. Night Shyamalan has made some awful movies in his day, but Old is one of his worst.
Chaos and Breakdown Are at the Heart of Kanye West’s Wild Ride
The new documentary series Jeen-yuhs keeps Kanye’s recent tabloid absurdities out of the picture. But such turbulent antics and generalized disorder are an essential piece of the remarkable — and remarkably chaotic — career he has built.
Cowboys and Italians
In the 1960s, Italian filmmakers took the cowboy out of America. They gave the western a wild, blood-soaked makeover that revived the genre for global audiences and imbued it with new political relevance.
Meet Scott Seiss, TikTok’s “Angry Retail Guy”
Comedian Scott Seiss on how his viral TikTok character “Angry Retail Guy” gave voice to the rage of the 21st-century chain store worker.