Opal Lee is a writer.
The Pentagon claims it’s serious about reducing American military emissions, which eclipse those of some developed nations. But the US military has helped perpetuate the climate crisis and continues to obscure its contribution to climate change.
The Democratic Unionist Party supported the Leave campaign, but they’ve been the big losers from Boris Johnson’s Brexit. The union with Britain isn’t in danger yet, but the DUP now faces the prospect of being overtaken by Sinn Féin in this year’s election.
The BBC’s new medical drama This Is Going to Hurt is set amid the chaos of an austerity-starved National Health Service. It comes at just the right time, as the pandemic forces the UK to take stock of the damage austerity has done to the NHS.
The software on Boeing’s 737 MAX was designed to override human controls — but ended up smashing the planes into the ground. Netflix’s Downfall shows how the firm’s obsessive cost-cutting ignored safety concerns and killed hundreds of people.
Vladimir Putin’s invasion of Ukraine is based on obviously reactionary pretexts. The Left has nothing to do with his agenda — and should make no apologies for opposing a US military response.
Vladimir Putin has launched his invasion of Ukraine, seemingly expecting that his forces can subdue Ukrainian resistance. But the attack could severely destabilize his regime — with Russians already showing a notable lack of enthusiasm for war.
The crimes of the War on Terror are an assault on justice and democracy across the planet. The Belmarsh Tribunal, inspired by the Vietnam War tribunals organized by Bertrand Russell and Jean-Paul Sartre, is demanding accountability for those crimes.
The latest escalation in the Ukraine crisis requires us to hold two ideas at the same time: that Vladimir Putin bears much responsibility for the immediate crisis, and that the long-standing US refusal to accept limits to NATO expansion helped bring it about.
New data show that approximately 140,000 workers in the United States took part in work stoppages last year. Though the reality is far from the exaggerated hopes of a “Striketober” strike wave, there has been a noticeable uptick in worker militancy.
Since Senator Kyrsten Sinema started undermining Democrats’ plan to allow Medicare to negotiate lower prescription drug prices, Big Pharma has been her BFF.
Energy bills are soaring, and the climate crisis is worsening. The one solution for the energy sector is to bring it under public ownership.
In Pam & Tommy, the story of the infamous Pamela Anderson and Tommy Lee sex tape becomes an epic tale of thwarted American dreams.
A British bus company recently reversed its plans to cut a bus route, but only after a wealthy local offered to fund it himself. A decent society can’t rely on wealthy do-gooders to save public services.
The Fed is now considering moves to tamp down inflation that risk spiking unemployment. Supporters of the idea are claiming that inflation itself is bad for workers because it “eats away at real wages.” They’re wrong.
The child poverty rate has exploded, with over 3.7 million children sinking below the poverty line thanks to the expiration of Joe Biden’s Child Tax Credit program. The disaster proves that poverty in a rich country is a choice its government makes.
Last week’s paint-by-numbers attack on members of the Squad, vaguely sourced to “top Democrats,” is another sign that party leaders are resigned to defeat and looking to blame the Left — and that “nonideological” Beltway journalists are eager to help.
Community college professor Michael Phillips spent the past year speaking out against a right-wing “purge” of progressive faculty at his college. Then he was fired.
Russian president Vladimir Putin has sent tanks into the Donbas on dubious pretexts. But a far bigger danger awaits if the West seeks an escalation that will only pour fuel on the fire.
Let’s be real: the PRO Act isn’t going to pass anytime soon. Labor unions need to figure out how to organize under current conditions or perish.
No one deserves riches, and yet we all do. This moral puzzle is key to our love for Anna Delvey, the con artist and “fake German heiress” who is the subject of Netflix’s flawed but irresistible series Inventing Anna.