
The Impossible Film
In the late 1920s, the great Soviet director Sergei Eisenstein made notes for a dream project: Das Kapital, the film.
Daniel Schwartz is an associateprofessor of Russian and German cinemasat McGill University and the author of CitySymphonies: Sound and the Composition ofUrban Modernity, 1913–1931.

In the late 1920s, the great Soviet director Sergei Eisenstein made notes for a dream project: Das Kapital, the film.