Hollywood Welcomes Its Silicon Valley Overlords
Hollywood AI boosters claim that “democratized” movies based on personal choice await us, if only we can get rid of those pesky human beings.
343 Articles by: Eileen Jones
Eileen Jones is a film critic at Jacobin, host of the Filmsuck podcast, and author of Filmsuck, USA.
Poor Things Is a Light and Gorgeous Lanthimos Fantasy That Could Use More Weight
Poor Things, Yorgos Lanthimos’s new film, is gorgeous, thought-provoking, and wonderfully acted. All it’s missing is some more weight behind its feminist spirit.
2023 Was a Bad Year for Movies. Here Were the Best.
When it came to movies this year, the junk outstripped the gems. But three films rose above the muck.
Let Bradley Cooper’s Maestro Be the Death of the Biopic
In Maestro, Bradley Cooper plays famed conductor Leonard Bernstein, but the film leaves out the complicating — and fascinating — real-life details for a more streamlined, tear-jerking product. It will doubtless do well at the Oscars.
The New Willy Wonka Prequel Is Fun, but It Doesn’t Hold a Candle to Its 1971 Predecessor
In Wonka, Timothée Chalamet dons the eccentric chocolatier’s purple jacket in yet another film adaptation of the Roald Dahl classic Charlie and the Chocolate Factory. This one is playful and harmless, but it can’t touch the 1971 original movie.
Dream Scenario Tries to Spin Magical Realism as Cultural Criticism
Nicolas Cage’s new comedy fantasy film Dream Scenario desperately wants to satirize our celebrity-obsessed times. But with American society already so steeped in hypercommercialism, it feels like it’s several decades too late.
Alexander Payne’s The Holdovers Is a Holiday Triumph
Alexander Payne’s new film The Holdovers, starring Paul Giamatti, is the kind of wonderful comedy-drama we used to take for granted. Today it feels like a cinematic miracle.
The Killer Is David Fincher at His Most Bland
David Fincher’s new movie The Killer is supposedly a metacommentary on hit-man films — and possibly on the director himself. Or that could just be an excuse for how boring it is.
Nathan Fielder and Bennie Safdie’s The Curse Adds a Dash of Horror to Cringe Comedy
The new series The Curse, starring Nathan Fielder and Emma Stone as rich, clueless gentrifiers, follows a married couple filming an HGTV reality show. It’s a low-key cringe comedy that makes everyday selfishness and awkwardness feel like a horror movie.
John Le Carré Is Still an Enigma in Errol Morris’s New Documentary
Celebrated spy novelist John Le Carré is the subject of Errol Morris’s new documentary The Pigeon Tunnel. While it claims to reveal secrets about his famously strange life, you get the sense Le Carré told as much as he ever meant to and no more.
The New Movie Fingernails Might Make You Want to Rip Out Your Own
The new Apple TV+ sci-fi romance drama Fingernails has a preachy message about how love is inherently risky. With no emotional payoff, its inane and implausible plot points add up to a plodding, pompous film.
Priscilla Is Yet Another Sad Princess Tale From Sofia Coppola
Sofia Coppola’s new film, Priscilla, finds Elvis’s young bride bored and lonely in her life of luxury. But like Coppola’s other films in this subgenre, it’s all about the costumes and accoutrements.
A Brief and Unflattering History of General Motors on Film
With the UAW’s historic strike wins this week, we look back at the history of US auto manufacturing in movies — with a focus on films that show how the auto industry has tried to shaft workers over the decades.
Killers of the Flower Moon Is the Subdued and Serious Side of Scorsese
Martin Scorsese’s Killers of the Flower Moon is an admirable, thoughtful film. But it lacks the wild, old Marty energy that brought us so many Scorsese classics.
Mike Flanagan’s The Fall of the House of Usher Is Bingeable Halloween Viewing
Netflix’s resident horror auteur is back with his take on Edgar Allen Poe’s The Fall of the House of Usher. You’ll have a good time — even if some of the nods to “sociopolitical relevance” might send your eyes rolling.
The Lost Matriarchs of Hollywood
American cinema was once full of formidable, charismatic older women. What happened to them?
The Wonderful Story of Henry Sugar Is Another Day at the Office for Wes Anderson
In The Wonderful Story of Henry Sugar, the first of four Roald Dahl mini adaptations, I was hoping for something like Fantastic Mr. Fox — but it’s the same old Wes Anderson. Still, he claims it took “years to decide how to shoot the story.”
Dumb Money, the New Movie About the 2021 GameStop Short Squeeze, Is Very Funny
Director Craig Gillespie’s new film Dumb Money transforms the 2021 GameStop short squeeze into a rousing comedy about everyday Americans turning the tables against the financial elite. It’s the best “COVID movie” so far.
In El Conde, Chilean Dictator Augusto Pinochet Is a Literal Vampire
El Conde is a fantastic satirical movie in which the late Chilean dictator Augusto Pinochet stars in black and white as a ravenous vampire. Yes, you read that right.
Agatha Christie Deserves Better Than Kenneth Branagh’s A Haunting in Venice
An Agatha Christie murder mystery has once again been made a mess by director Kenneth Branagh, this time with A Haunting in Venice.