
We Have Always Lived in the Casino
John Maynard Keynes warned that when real investment becomes the by-product of speculation, the result is often disaster. But it’s hard to tell where one ends and the other begins.
Zola Carr is a doctoral candidate at Columbia University, working on a dissertation on the development of experimental brain implants for psychiatric disorder.
John Maynard Keynes warned that when real investment becomes the by-product of speculation, the result is often disaster. But it’s hard to tell where one ends and the other begins.
How one artist rode the NFT wave to fame — and then crashed with it.
The documentarian speaks to Jacobin about The Dark Money Game, his new HBO series on the corrosive effects of Citizens United.
We have all the vocabulary you need to score big on your Robinhood app.
More than half of the top 15 crypto-PAC-backed candidates during the 2024 campaign season were Democrats.
Are you missing the point by idolizing them?
A Seth Rogen and Evan Goldberg satire of mainstream film’s IP problem — in which everything is an adaptation of something else — fails to excuse or address their own extensive IP crimes.
In Kim Stanley Robinson’s The Ministry for the Future, a global currency backed by carbon removal turns speculation into salvation.
As history and literature are quick to remind us, many a get-rich-quick scheme has ended in sorrow.
Union assets have skyrocketed while membership remains largely stagnant.
Goldman Sachs CEO David Solomon knows how to drop a beat. But could he handle a drop in the markets?
Zamrock emerged from the optimism of postindependence Zambia, fusing psychedelic rock with nationalist ambition. Its rise and fall mirror the promise — and the exhaustion — of a country built on copper.
Why the modern financial sector is better at extracting rents than funding the future.
DOGE has cut millions of dollars’ worth of grants in every state.
Why Nordic countries out-innovate the United States.
The World Bank’s pandemic bonds tried to turn public health crises into speculative opportunities.
At the height of the NFT craze, the cost of some digital art surpassed that of the great masters’.