The Art of Being Wrong
Wyndham Lewis was perhaps the most talented English painter and novelist of the first half of the twentieth century. How did he become best known as a fascist?
41 Articles by: Owen Hatherley
Page 1 of 3 Next
Owen Hatherley is Jacobin’s culture editor and the author of several books, including Red Metropolis: Socialism and the Government of London.
Hayao Miyazaki’s Red Roots
Studio Ghibli is not the Japanese Disney but the anti-Disney. Dreamed up by animators with roots in the Japanese communist movement, its films celebrate creative labor and human solidarity against capitalism and war.
The Churches of the Polish People’s Republic
Postwar Poland saw a huge wave of church-building, within and against the professedly socialist system.
Cautionary Tales
The English science-fiction writer J. G. Ballard claimed to believe in nothing. Yet his prophetic dystopias reveal a deep awareness of the brutality of class rule and imperialism.
The Global Socialist Planning of Baghdad
If Iraqi architecture is known abroad today, it’s for Saddam Hussein’s grandiose palaces and monuments. But the master plan of Baghdad, developed amid the Cold War by a Polish state agency, was far from a centralized and authoritarian vision for the city.
Kate Macintosh’s Gentle Brutalism
In 1960s London, the architect Kate Macintosh designed great modernist housing for the elderly, still beloved by its residents — but how long can it survive?
Alex Niven Believes in the Political Potential of Poetry
In light of the failures of mainstream politics across the board, socialist writer Alex Niven wants to inject a sense of hope back into contemporary life. A champion of the North of England, he believes that literature can help.
Telling the Story of Australia’s Soviet Diaspora
Australian historian Sheila Fitzpatrick has spent her career documenting the history of the USSR. She tells Jacobin about her latest project, which looks at the Soviet citizens who migrated to Australia and their complicated relationship with their homeland.
Futurist Forgeries
No art movement has ever been so comprehensively faked as the revolutionary “Russian avant-garde” of the 1910s and 1920s.
Yes, Ukraine Is a “Real Country”
The borders of Ukraine are no more arbitrary than those of Poland, Greece, Italy, or Germany.
The Foreman
Mark E. Smith of the Fall was one of the late 20th century’s great working-class musicians, but his music suffered from his overwhelming resentment of his middle-class audience.
Twitter May Be Dying. It’s Time to Build Our Own Social Network.
For all its problems, Twitter served as a public town square — and now, Elon Musk seems determined to drive it into the ground. It’s past time to build a democratic, noncommodified alternative.
Mike Davis Was the Best Socialist Writer of the Last Half Century
Mike Davis forced himself to look at the very worst of our society and world. What he found wasn’t pretty. Yet he never abandoned the search for seeds of positive change — and for socialism.
King Charles Has Some Very Strange Ideas About How Cities Should Look
For many years, Charles Windsor has foisted his opinions about urban design on the British public. The bizarre projects that the new monarch has sponsored, from Dorset to Transylvania, speak volumes about his cloistered and conservative worldview.
War and Instagram in Ukraine
For the last few years, enthusiasts have documented Ukraine’s Soviet buildings online. Since February, they’ve been bombed and shelled. What happens next?
Spaghetti Junctions
How did New York become the only metropolis in the world to insist that its transit map reflect the layout of the city above?
The Left Must Stand With the Ukrainian People and Against Putin’s War
Socialists’ first task in Vladimir Putin’s appalling war on Ukraine: provide unconditional solidarity with its victims.
The Tenured Radical on the Telly
The 1980s BBC series The History Man was a venomous takedown of academic pseudo-radicals. How does it stand up today?
Planned Paranoia
There’s a reason why urban housing developments and suburban subdivisions can seem threatening and unwelcoming to outsiders: they’re planned that way, in order to “design out crime.”
Lee “Scratch” Perry (1936–2021)
Lee “Scratch” Perry, who died last week at the age of 85, wasn’t just a sonic genius — he was also a politicized producer whose work was full of demands for justice.