Whores’ Glory
The reaction to a new film about sex workers tells us more about liberal reviewers than the workers themselves.
Ryan Switzer is a PhD candidate in sociology at Stockholm University. He researches right-wing politics in welfare states.
The reaction to a new film about sex workers tells us more about liberal reviewers than the workers themselves.
Was the mid-century dominance of southern Democrats essential to the defeat of Hitler and the triumph of American democracy?
By organizing based on international law, the struggle for Palestinian liberation has been transformed into a question of rights.
The Oslo Accords weren’t a failure for Israel — they served as a fig leaf to consolidate and deepen its control over Palestinian life.
Postcolonial theory discounts the enduring value of Enlightenment universalism at its own peril.
Without radical change, disquiet finds other outlets. Dystopic visions have replaced Shulamith Firestone and Adrienne Rich’s utopian ones.
Zero Dark Thirty is a film that didn’t need to be made — it strives for realism, but ends up rehashing Bush-era tropes about the ‘war on terror.’
Two-state proponents argue that comprehensive peace is only possible with deeper American involvement in the process. They couldn’t be more wrong.
For today’s beleaguered left, it’s tempting to pine over the past. But the lives of two socialist intellectuals remind us that no one should be too nostalgic for the twentieth century.
As the policy wonk has risen in prestige, we seem to have reached the point where this entire class of commentators is highly susceptible to what I’ll call “Charlie Rose disease.”
The struggle for structural reforms is essential to changing the “common sense” of the US political arena. But it is not enough to wound the rabid beast; one must ultimately bring it down.
While Egypt’s Youssef himself cites Stewart as an influence, he’s the only one of the two who actually challenges the holders of power.
The Internet has changed. What was once open and public has become the frontier of modern capitalism.
The border delineates an imagined terrain — its arbitrary nature is precisely what gives it power.
Thatcher’s great achievements were also what made her so vile. Her talents were harnessed to horrible ends.
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Firestone did for feminism what Camus did for existentialism.
Margaret Thatcher was made by her era more than she made it.
“The artist must take sides. He must elect to fight for freedom or slavery.”
We don’t need gay marriage to ruin one man, one woman, one mortgage relationships; we have austerity.