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Partisans on Ponies

One German’s idiosyncratic obsession with the American frontier led to an unlikely West German–Yugoslav cinematic partnership that fed the European appetite for cowboys and Indians.

Orson Welles, South of the Border

After his post–Citizen Kane slump, Orson Welles teamed up with Universal for a big Hollywood comeback about corrupt police on the US-Mexico border. The executives balked at his vision — but today Touch of Evil is regarded as Welles’s final masterpiece.