Alton Sterling’s Right to the City

The murder of Alton Sterling attacked the idea that public space and culture should belong to those who produce them.


Baton Rouge locals referred to Alton Sterling as “CD man,” a figure who can likely be found in virtually any American city. This, in the eyes of a police officer trained to find anything a black man does suspicious, was as good an excuse as any.

Sterling’s death undeniably echoes Eric Garner’s — strangled to death after being stopped by a cop for selling loose cigarettes — and Jordan Davis’s — gunned down by Michael Dunn after he and his friends wouldn’t turn down what Dunn referred to as “that rap crap.” What, in the name of all that is decent and rational and minimally human, could be so threatening about selling or listening to something?

The answer cannot be found in what was being done, but in how a racist society reacts when certain people do it. Those tasked with “keeping the peace” and “maintaining order” aren’t just somehow more susceptible to this — it’s their job to keep this imbalance in place.

This article is for subscribers only. Please login or subscribe to access our full archives and beautiful print and digital magazine starting at just $3 a month.