When Intellectuals Go to War

When it comes to the narcissism of war, no one has quite the self-deluding capacity of the intellectual.


On the recommendation of my colleague Shang Ha, I’ve been reading Alex Ross’s The Rest Is Noise: Listening to the Twentieth Century. There I came across this letter from Arnold Schoenberg to Alma Mahler, dated August 28, 1914. Ross only quotes a snippet, but here’s a lengthier excerpt:

Meanwhile, you have certainly already heard of the glorious victory of the Germans against France, England, and Belgium. It is among the most wonderful things that have happened. But it does not surprise me: it is not any different from the war of the Greeks against the Persians . . . My friends know it, I have often said to them, I never had any use for all foreign music. It always seemed to me stale, empty, disgusting, cloying, false, and awkward. Without exception. Now I know who the French, English, Russians, Belgians, Americans, and Serbians are: barbarians! The music said that to me long ago . . . But now comes the reckoning. Now we shall send these mediocre purveyors of kitsch back into slavery.

Schoenberg was hardly the only artist to support his team during the First World War. But what strikes me in his stance here is something you often see when intellectuals go to war: their tendency to interpret the war in the most parochial terms imaginable, that is, as an expression of their own causes and concerns, no matter how alien those might be from the state waging the war.

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