An Unauthenticated Avant-Garde

The paintings in the Denver Museum of Contemporary Art’s winter exhibition, Orphan Paintings: Unauthenticated Art of the Russian Avant-Garde were found, as if in a time capsule filled with Adorno’s fantasies of late capitalism, in an “unclaimed shipping container in German customs.” Subsequently, Ron Pollard, an architectural photographer in Denver, came across the inventory of […]