History Is Back. Fukuyama Is Neither Surprised nor Thrilled.

It is fashionable to mock Francis Fukuyama as an uncritical celebrant of neoliberal capitalism. But The End of History offered a powerful analysis of the origins of right-wing populism that has proved prescient in the Donald Trump era.

Francis Fukuyama is photographed at the Cheltenham Literature Festival on October 13, 2018, in Cheltenham, England.

Liberal capitalism is weaker today than it has been in generations. In his new memoir, Francis Fukuyama shows himself to be an unlikely prophet of the system’s present crisis. (David Levenson / Getty Images)


In his new autobiography, Francis Fukuyama boasts that for decades “students in introductory classes in international relations all over the world were required to read [Samuel Huntington’s The Clash of Civilizations] alongside The End of History.” The flex is warranted; during my undergrad we were assigned both essays in one of my classes on international law. Many intellectuals dream about reaching this level of notoriety. But for Fukuyama, fame came at a heavy price. Namely, he became the kind of thinker whose ideas everyone has an opinion on even while they resolutely avoid reading him (see 99 percent of recent conservative commentary on Karl Marx and Marxism for an example).

For years, Fukuyama’s problematic but provocative thesis about reaching the “end of history” was subjected to a lot of superficial criticism from the Left and the Right. A standard move by critical intellectuals was to hold Fukuyama up as the poster boy for smug triumphalist neoliberalism, resting thoughtlessly on its post–Cold War laurels. This was true even if, as Slavoj Žižek often points out, in practice most leftist intellectuals and parties seem to have accepted the inevitability of capitalist realism. On the other side of the fence, right-wing critics like Huntington chastised Fukuyama with a kind of squishy liberal optimism, hypothesizing that humanity wasn’t quite done clashing with itself yet.

A Portrait of the Last Man as a Young Man

In the Realm of the Last Man is an unusual book; an autobiography that pulls triple duty, it ruminates on its subject’s complex life, sets the record straight on past debates and criticisms, and closes by defending liberal democracy against rising competitors on the Left and Right. The book pulls off the first two admirably, though the apologia for liberal democracy highlights some of Fukuyama’s limitations as a commentator.

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