Abolish the Military-Entertainment Complex
For every one of the few anti-militarist screenplays that are made into films, far more are reflexively spiked because their defiant content raises objections from military leaders.

Tom Cruise in the original 1986 Top Gun. (Paramount Pictures)
The military quietly infiltrating a movie studio . . . the idea might seem like a fantastical plot from a film, but Top Gun: Maverick is a reminder that it’s all too real. The new blockbuster is the latest product of a shadowy Military-Entertainment Complex that few know about, but that shapes so much of what we read, see, and hear about the military and militarism.
Films are where this pro-military stealth propaganda system is most prevalent — even though it is barely disclosed to audiences.
For example, to help filmmakers pull off the Top Gun sequel, the navy delivered up pilots, fighter jets, and aircraft carriers, and even broke its own flight training rules to make Tom Cruise look as cool as possible. In exchange, the movie’s production team didn’t just pay $11,000 an hour in plane rental fees — they let the Pentagon help shape the film.