Filmmaker Radu Jude: It’s Disgusting to Be Interested in Posterity
Ahead of the release of his new film, Do Not Expect Too Much from the End of the World, Romanian film director Radu Jude spoke to Jacobin about political art, why TikTok is cinema, and the problem with making films aimed at everyone.

Romanian film director Radu Jude attends the Opening Gala of the Berlinale in Berlin, Germany, on February 16, 2023. (Ronny Hartmann / AFP via Getty Images)
Depicting the complexities of twenty-first-century living with a signature dark humor, Radu Jude’s films often probe the process of filmmaking and the life of a filmed product itself.
His last feature, Bad Luck Banging or Loony Porn, tells the story of a what happens when a schoolteacher’s private sex tape goes viral. Do Not Expect Too Much From the End of the World, his tenth and most recent film, follows an overworked production assistant, Angela Raducanu, as she drives around Bucharest to cast a lead for an Austrian company’s workplace safety videos.
In her brief moments of downtime, Angela films short videos as an Andrew Tate–esque imaginary character, Bobita (based on a real-life Tik Tok series by actress Ilinca Manolache, who plays Angela). Part road movie, part process film, Do Not Expect Too Much From the End of the World is collaged with parts of Lucian Bratu’s 1981 film Angela Goes On, whose quietly radical and matter-of-fact depiction of Elena Ceaușescu–era Romania managed to evade censorship.