George Clooney’s The Tender Bar Needs More Bar, Less Yale
With Ben Affleck playing a lovable bartender and surrogate father, The Tender Bar has its charms, but it stalls out with familiar tropes about working-class kids getting the hell out of the old neighborhood.

Ben Afflect and Tye Sheridan in The Tender Bar. (Amazon)
The general description of The Tender Bar is something like this: in the 1970s, a kid named JR with a down-on-her-luck single mother and an absent deadbeat dad gets raised by his bartending Uncle Charlie and assorted colorful guys who hang around the book-lined, working-class Long Island bar called Dickens.
After a limited release back in December, director George Clooney’s The Tender Bar began streaming on Amazon Prime on January 7, and naturally I had to see it. I like stories in which some lone kid is raised by a colorful adult who makes all the difference in enriching their young life — your basic Auntie Mame story has always been a retroactive fantasy of mine. Several colorful adults doing the enriching is also acceptable.
Plus, I like bars. There are so few public havens in American life, and bars are among them. Bars are a place where you can sit quietly with your thoughts or little pastimes while still feeling like you’re part of society — as the film demonstrates, in one of its better scenes, the playing of the Wordy Gurdy newspaper game in the bar is a pleasant private form of relaxation that can turn in an instant into a wonderfully social engagement. Bars consistently offer the possibility of a civilized exchange of pleasantries, for it’s a bad bartender who isn’t adept at exchanges of pleasantries, and other bar-sitters are often inclined to be sociable as well.