The Feminist Porn Book has been one of the more fun books to take along on the subway. With this hanging out in my purse over the last few weeks and Kink.com back in the headlines for unfair labor practices, I took the chance to interview some porn performers and producers about porn as women’s work, and how feminist porn can be a feminist labor issue. That’s up at the Guardian.

Maxine Holloway and Bella Vendetta had way more to say than I could fit in print, and I wasn’t able to get in one of my favorite excerpts from the book, from an essay by Clarissa Smith and Feona Attwood, on the resurgence of anti-porn feminism and its’ complicated relationship with the internet:

 . . . the current wave of antipornography campaigning draws on the arguments of the 1970s and 1980s antiporn feminists but do so in interesting ways — for example, although they build on the central tenets of Andrea Dworkin’s analysis of the misogyny and cruelty of pornographers, they posit this as a prescient account but one that could never have envisaged the ‘juggernaut’ of the Internet . . . this complex narrative of nostalgia and futurology is a central theme in these accounts where pornography is acknowledged as an already exisiting feature of the landscape, but one that has developed outside the knowledge of ‘ordinary’ adults and needs urgent redress.