Dorothy Thompson Was One of Britain’s Great Socialist Historians
Dorothy Thompson’s work on Chartism secured her reputation as one of the finest Marxist historians Britain has produced. She displayed a particular sensitivity to gender issues and encouraged creative dialogue between Marxist and feminist currents.
Dorothy Thompson, née Towers (1923–2011), known to her friends as Dotty, was a highly distinctive person and historian. She was a prominent member of the Communist Party Historians Group in Britain, which included such renowned figures as Christopher Hill, John Saville, and Eric Hobsbawm.
After leaving the Communist Party in response to the invasion of Hungary in 1956, she was active in Britain’s New Left and the Campaign for Nuclear Disarmament. Teaching history for many years at the University of Birmingham, she established a reputation as the leading historian of the nineteenth-century Chartist movement, publishing a series of books and essays on the subject.
This brief appreciation assesses Dorothy Thompson’s contribution to what can be termed the “Thompsonian project.” Of course, no such schema ever existed in any official sense. Yet Dorothy shared for most of her adult life a great emotional, physical, and intellectual partnership with her fellow historian Edward Thompson (1924–1993).
A Joint Odyssey
He too was utterly distinctive. The charismatic Edward Palmer Thompson, who published as E. P. Thompson to differentiate himself from his father, echoed his literary parent by remaining a rather old-fashioned man of letters: writing poetry, letters, and a novel. But he was more prolific and much more of a polymath. Thus E. P. Thompson became an outstanding historian, public intellectual, socialist theoretician, and peace campaigner.
Edward and Dorothy wed in 1948, after the speedy ending of her first marriage. There followed a joint personal and intellectual odyssey. He cannot have been easy to live with, as Edward often had volcanic shifts in moods and political hopes. At times, he joyously predicted the regeneration of the Left. At many other times, he darkly foresaw the coming apocalyptic devastation of the Left and the destruction of human rights.
He polemicized urgently, both publicly and in private letters. The Hegelian dialectic of rejecting the views of a named individual helped E. P. Thompson to clarify his own thoughts. However, the recipients of his wrath did not always appreciate it. He thus made friends with ease but also shed various political allies on the Left.
Often, for all his charisma, fame, and international networks of friends, Edward Thompson was intellectually a lonely figure. After he quit his post at Warwick University in 1971, he remained a freelancer, albeit punctuating his time with some teaching fellowships in the United States. His working life was solitary, based at the Thompsons’ grand house at Wick Episcopi, outside Worcester. This relative isolation made a sharp contrast to his early teaching for the Workers’ Educational Association (WEA) in Halifax, and to the urban environs of Cheltenham, which followed Halifax.
Throughout all these permutations, Dorothy Thompson was steadfast. Her notable inner calm was a powerful and necessary antidote to Edward’s turbulence. The marriage itself was not without inner tensions at times. What personal alliance is not? Indeed, how many relationships with E. P. Thompson could remain entirely tranquil? But the personal loyalties and intellectual partnership of the Thompsons never faltered.
What they were trying to do was both to write and to live a left-wing political commitment. Dorothy’s chosen form for writing was history. Edward’s included history, but his remit also extended to socialist theorizing, political commentary, and literary works.
Writing and Campaigning
Especially over time, they became strongly committed to writing their histories to a rigorous professional standard. E. P. Thompson was galvanized by reactions to his best-selling The Making of the English Working Class (1963). He got what he called a “generous but critical reception in the academic press.” Five years later, he added a detailed postscript to Making’s second edition, in which he conceded a number of points while firmly reiterating his overall case.
After that, he once told me, he was determined to make his intellectual position as professionally watertight as possible. Dorothy, who always wrote more slowly and painstakingly, strongly concurred. They disdained “mere”’ historical propaganda. What they wanted to write was robust left-wing history that would withstand professional criticism.
Equally, both were simultaneously committed to grassroots activism, campaigning in left-wing politics within Britain and in the pan-European movement for nuclear disarmament (European Nuclear Disarmament, END) between 1982 and 1991. It was an intensive lifestyle commitment, which, incidentally, put considerable pressure upon their writing time.
All this, while the Thompsons were bringing up three lively children. And then, once they were grown, Dorothy Thompson was working as an academic in the History Department at Birmingham University. Again, it was her inner calm, plus her resolute efficiency, that proved to be bedrock qualities for them both.
Above all, the Thompsons were committed to their lives of writing and campaigning within an evolving Marxist framework. They were not just left-wingers. They were, at first, joyously partisan members of the Communist Party. After 1956, when they resigned their membership, they continued to seek for a noncommunist Marxism.
They had a tolerant but distinctly dismissive attitude to “comrades” who worked within the Labour Party. Their aim, as articulated primarily by Edward Thompson, was to update and humanize Marxism. They believed that it would grow as an ideology.
Marxism should, they argued, eradicate its conceptual and organizational weaknesses but retain its core values. In that way, the Thompsons hoped to live within the flowering of a truly revolutionary zeitgeist, which they hoped also to influence.
Hare and Tortoise
To these tasks, Edward Thompson brought his originality as a thinker, his determination to pursue arguments through to the end, and his immense passion. He was both a historian and a Marxist theoretician. Meanwhile, Dorothy Thompson, like other friends among the Marxist historians (such as Christopher and Bridget Hill), was not at all interested in writing anything that might be dubbed “theory.”
She was quick to decide upon other people’s intellectual standpoints. Indeed, she could be quite sharp in verbal confrontations. Yet she resolutely steered clear of both abstraction and polemics in her writing.
Furthermore, Dorothy often declared that her gifts as a historian were inferior to those of Edward. She was not as original as he; and she did not resent it. So there was no direct competition between them. Edward had “theory” to himself, and led the way in “history.” The public fame — and the criticism and opprobrium — came to him.
If there was an element of unintended competition, it appeared in terms of their respective speeds of writing. Dorothy was always the tortoise. She struggled, while he wrote not only rapidly but with great linguistic versatility. The contrast must sometimes have been galling for her.
Nonetheless, she persevered. And once she had produced her big book in 1984, entitled The Chartists: Popular Politics in the Industrial Revolution, she relaxed. By then, she was sixty. She and he both knew what she could achieve. The partnership had worked intellectually for her as well as for him.
Duty of Discontent
So what were Dorothy Thompson’s specific contributions to the Thompsonian project, since their aims were conjoint? One answer must be her continual and unflappable inner calm, which had an intellectual as well as personal bearing upon their work.
E. P. Thompson’s mental world was volcanic in its explosive power, with a marked strand of melodrama. Dorothy’s steadiness provided calm and ballast. As the two of them continually discussed history, politics, and Marxism, she was the down-to-earth questioner and critic on the hearth, while he exploded with ideas.
One example bears repetition. In E. P. Thompson’s study entitled Whigs and Hunters (1975), he wrote about an egregious example of eighteenth-century class-biased legislation. The book then ended with a final section discussing the rule of law generically.
A simple reader might have expected to find a denunciation of the legal system as class-based and oppressive. Yet E. P. Thompson instead offered a ringing endorsement of the rule of law — individual bad laws and poorly functioning court systems notwithstanding. Both Edward and Dorothy separately told me that this section was prompted by Dorothy’s probing.
She felt that a duty to challenge was part of her dissenting (Huguenot) heritage. It was very much her teaching style too. She sought to prod people to thought, not to create cloned followers. Fittingly, therefore, her students named the Festschrift published in her honor The Duty of Discontent.
Needless to say, Edward returned the compliment by critiquing Dorothy’s work in turn. Their joint distillation from his fizz and her quizzical questioning worked intellectually for them both.
Gender and History
A second key element that Dorothy brought to their project was her sensitivity to gender issues. Both the Thompsons were committed to bringing empathy into their study of the past. They hated arid Marxist doctrines, just as they disliked the impersonal trends invoked by economic historians or sociologists. All such abstractions made no reference to real historical people.
Hence their joint credo was encapsulated by E. P. Thompson. He wrote, in a much-quoted phrase in the preface to The Making of the English Working Class, that his aim was to rescue the unknown and often despised radicals, protesters, and eccentrics of history “from the enormous condescension of posterity.” Dorothy strongly agreed. Nonetheless, it was obvious from his writings that Edward Thompson was chiefly interested in the male artisan workforce and, particularly, in men like John Thelwall, who were active radical campaigners.
It was not a case of misogyny. Edward Thompson was not one of those fusty male scholars who seriously dislike women. He was a decided feminist. He also enjoyed the company of women and expected much from them. Quite possibly, it was the pressure of his expectations that weighed upon Dorothy, when she began her own academic career and was struggling to write.
Yet Edward Thompson’s historical focus was chiefly upon men. And it was not their “masculinity” that preoccupied him. He was completely uninterested in questions of “identity,” which have recently been very fashionable among historians. Edward’s focus was always upon ideas and the struggle between classes. That for him was the central dynamic, which he sought to explore historically.
By contrast, Dorothy Thompson was genuinely interested in questions of gender. She was generally sympathetic to the so-called “second-wave” feminism in the later 1960s and ’70s. And she enjoyed reading and debating works like Hidden From History, by her younger friend Sheila Rowbotham.
Feminism and History
It is important to stress, however, that Dorothy was not a feminist hard-liner. She did not accept that all women constituted a separate “class,” with a common interest against all men. Nor was she an “essentialist,” believing in essential differences between the male and female of the human species. For her, economic divisions were more socially powerful than were shared gender identities.
Indeed, the Guardian in the early 1970s once featured a debate between Dorothy Thompson and Sheila Rowbotham on precisely that point. The exchange was amicable. There remained, however, a bedrock difference. Economic class, for the Thompsons, always trumped other alignments.
Having said that, Dorothy became something of a mediator between feminism and Marxism. Thus, her book on Chartism paid careful attention not only to labor history, but also to the roles played by women, as it did to the contributions of other “outsiders” such as the Irish.
She did not endorse a postmodernist preoccupation with identity as purely socially constructed. Dorothy always remained far too much of a materialist for that. Yet her angle of vision was wide, and her interest in cultural and gender history grew increasingly eclectic. So it was less of a surprise than it initially seemed that Dorothy’s next book was a study of Queen Victoria, subtitled Gender and Power.
The interesting cross-tensions between femininity and monarchism, wifely submission and presidential primacy — all experienced by a woman at the top of the class structure — were expertly explored. Ultimately, Queen Victoria appeared as more of a conservative/monarch than she was a female/innovator. No startling revelation here.
Nor had Dorothy expected to find one. It was the detailed analysis of how class and gender intersected that was of historical interest, contributing an important new element into the Thompsonian oeuvre.
Grounded History
Third and last — in addition to her quizzical questioning and her gender awareness — Dorothy Thompson provided an unflagging emphasis upon “grounded” history. Her mantra was “back to the archive.” All theory, from whatever perspective, was to be tested against the evidence.
This viewpoint has for some years been coming back into favor. Dorothy would have agreed that a “pure” empiricism is impossible. The facts don’t “speak for themselves,” and a simple narrative of events would be nothing more than antiquarianism — indeed, positively unfair to antiquarians.
Yet reliance upon “pure” theory or abstract proposition, untested by historical evidence, was highly dangerous in the other direction. If historians already knew what they were going to find, then empirical research was wasted effort.
The answer was a constant dialectic between theory and evidence. Dorothy Thompson never argued this position theoretically. She simply enacted it, via her work as a teacher and scholar. In terms of studying the history of the Left, a “grounded,” source-based approach meant acknowledging the failures as well as successes of radical movements.
It equally entailed analyzing the fissures within the working class, as well as their potential solidarity. The aim was a rounded portrait, with the “ideal” and the “material” worlds intertwined.
Ultimately, indeed, the research-based Thompsonian project led both the Thompsons to modify their Marxism. In 1956, they left the British Communist Party. E. P. Thompson then polemicized against Louis Althusser’s depersonalized model of structural Marxism. Instead, the Thompsonian project envisaged a humanist Marxism (sometimes called “cultural Marxism”).
Living the Journey
Yet both Dorothy and Edward found, by the end, that their quondam materialist approach was being steadily leavened into a broader holistic history. In his later years, Edward noted wryly that, when confronted by anti-Marxists, he defended Marxism, firmly. Yet when he met orthodox Marxists, he denounced them, angrily.
They were neither fully in nor fully out. In some ways, they were “post-Marxist.” They had evolved into liberal humanists with a continuing sympathy for life’s underdogs. Yet that seemed too vague. In fact, they never stabilized an alternative basis for a progressive “left” history.
Nor were they alone in facing such dilemmas. From the mid-1970s onward, the Left across Europe and in the United States found itself in political and theoretical disarray. Labor history became unfashionable. And Marxism as an ideology was hollowing out, damaged by its major flaws in practical application as well as by its theoretical rigidities.
The Thompsons often despaired at the zeitgeist. On the other hand, while they struggled with the outcomes, they lived the journey with passion and commitment — every inch of the way.