The vision of sun-drenched Los Angeles, the land of the forever young, tanned white beautiful people drinking and partying at the beach, so popularized by Randy Newman’s “I Love L.A.,” has from time to time been punctured by the much less rosy news appearing in the media about the doings of the city’s working-class population living on the other side of the tracks. Such news is not necessarily motivated by a concern for the poverty, homelessness, xenophobia, and racism those groups live under, but rather by the potential for mass protests and riots to break out, as they have throughout the city’s history. In the process, such coverage misses the molecular and less visible social and political forces that precede them and that explain their evolution and impact.

This is not a problem with Mike Davis and Jon Wiener’s monumental Set the Night on Fire: L.A. in the Sixties, the definitive treatment of the resistance against oppression and war by the “other LA” and their protest movements in the long 1960s (1960 to the mid-1970s). Theirs is a major, beautifully written 788-page opus, an exhaustive and in-depth presentation of the wide-ranging big and small resistance movements of that period with a sober and insightful account of their strengths and weaknesses, including the role that the political left played in them. Its publication in 2020 could not be more timely in these days when tens of thousands have been demonstrating in Los Angeles and across the country and world against police brutality and racism.