Political theorist Marshall Berman, who was my colleague at the CUNY Graduate Center, died yesterday morning.

When I heard the news last night, my first thought was the date: 9/11. There’s no good day to die, but to die on a day so associated with death — whether the murder of nearly 3000 people on 9/11/2001, most of them in his beloved New York, or the 9/11/1973 coup in Chile that brought down Allende and installed Pinochet — seems, in Marshall’s case, like an especially cruel offense against the universe.

For as anyone who knew or read him knows, Marshall was a man of irrepressible and teeming life. The life of the street, which he immortalized in his classic All That’s Solid Melts Into Air; the life of sex and liberation, which he talked about in The Politics of Authenticity (read the section on Montesquieu’s Persian Letters; you’ll never read that book the same way again); the life of high art and popular culture, whether it was the Sex Pistols or hip-hop.