Hollywood Screenwriters Have Always Known That Moviemaking Is a Form of Labor
The Hollywood screenwriters' strike has deep historical roots: stretching back to Hollywood’s Golden Age, writers and many others in the industry have insisted that filmmaking is a form of labor — and fought for their rights as workers.

Prominent writers Billy Wilder and Gore Vidal (right and second from right) join a writers’ picket line at 20th Century Fox in Los Angeles, June 25, 1981. (Bettmann / Getty Images)
The Writers Guild of America (WGA) is on strike. The union representing about 11,500 writers of film, television, radio, and online media announced a walkout as their last three-year contract expired on May 1, explaining that “the survival of writing as a profession is at stake in this negotiation.”
At the center of the dispute are deteriorating working conditions stemming from the rise of streaming services and the boom in made-for-television production. The union’s proposal, sent to the Alliance of Motion Picture and Television Producers, includes both traditional demands like higher minimum wages and unique claims concerning “viewership-based streaming residuals” and the regulation of artificial intelligence usage.
In a recent interview with the New Yorker, Alex O’Keefe, who worked on the hit FX show The Bear, complained, “I thought we would be treated more like collaborators on a product. It’s like an assembly line now.” Similarly, Stephanie McFarlane, a writer for BET+, told the New York Times that she just wants her “income to be a livable wage,” since “right now, it’s like a gig economy.”