“In the World of Film, We’ve Edited out All Rebellion”

Boots Riley

Boots Riley on communism, Sorry to Bother You, and what kind of political action the present moment demands.

Film Independent At LACMA Presents Screening And Q&A Of "Sorry To Bother You"

Boots Riley attends a screening and Q&A of Sorry To Bother You on June 28 in Los Angeles, California. Tommaso Boddi / Getty


As both a longtime activist and the lead vocalist for the hip-hop group The Coup, Boots Riley is no stranger to politically charged art. But with Sorry to Bother You, Riley has made his first foray into film.

The movie — which Riley both wrote and directed — follows Cassius “Cash” Green, a young black man who makes his way up the ladder at a telemarketing firm by using his “white voice.” At the same time Green is ascending, his fellow telemarketers, fed up with low pay and no benefits, are organizing a union — creating an explosion of collective labor action rarely shown on the silver screen.

While the world of Sorry to Bother You is similar to the one we inhabit, it contains elements of magical realism. In the movie, the company Worry Free promises workers freedom from the worries of unemployment or want of food and shelter by allowing them to sign a lifetime contract. They’re then housed in a prison and receive no wages for their work. In short, slavery. As Riley explains in the following interview, this bending of reality shows “how we will accept anything if it’s packaged in the right way and we don’t think we can do anything about it.”

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